IndieAgora

Larloch: The Madman Isane: Humor or Jokes as Cosmology. Joke or Joca

Life can be viewed as one big joke made up of a series of jokes. The material of the Universe being Joke or Joca.

Nothing or what is like Nothing is excluded from this. It is not made of Joca or anything, but makes Joca.

Joca has many dimensions but it means both trick and something which causes one to react by viewing the strangeness or error or silliness involved.

The mystic sound was not Om, the sound of one who a Joke is being played on, thus the sound attributed to the whole buzzing of the Universe, but rather Ha, an exhale of air or spirit, of exertion.

Hahahahaha.

Each moment or experience can said to be a Ha. It isn't one long Ha but a Ha as in laughter which has another Ha and any Ha of the Has can be taken individually and in place of another Ha though they are all Has. Hahahaha which is the word or spirit sent forth, stemming or as part of a joke or the overall joke.

It not being very funny makes it all the more funny, and if we were to really get it, we may never cease laughing, which is to be God or Death.

​​​muse mushy. Sh*t that was my attempt to type we mushy sh*t why does it keep changing musn't to mushy? Oh, could it be because it is a Joke? Well it Can!

Now one who sees with smiling eyes is both happy and unhappy, because we aren't serious, we aren't a big deal, we are just jokes made of jokes in a joke sayings jokes doing jokes and being jokes because jokes and joke is all there is.

If you can look at anything at all and see the humor, and see that even without words it is funny, that even a simple accepted thing is funny for its acceptance or its position or appearance, your heart may be filled with a certain energy, because this thing gives you the pleasure of having a sense of humor or senselessly finding no sense but humor.

One who thinks jokes are not serious or meaningful or are very or only serious or meaningful are being made fools. There are no others but fools.

There is not anything which is not foolish, the sun is a fool, the old man is a fool for sure, and the Power is just plain sadistic and mean, but then again, what else can it do but make Joca?

Can it Not Make Joca? Wouldn't that be funny too?

Wow I shouldn't look at this little Buddhist statue I have, it looked almost like it was moving because of my eyes refocusing. See?

Enlightenment is Lightening Up.

I am never wrong, never.

Bring me a platter of seriousness and watch me sh*t on it.

We forget and then eat our own sh*t. Worse if we remember and do it, or some propaganda saus now it is alright to do that. Why is that worse? Well I find out I made the propaganda too.

What then is the first Joke?

The First Joke was Be or Being.

I Am is the beginning and the whole of the first joke, it makes no sense. You are? You are what? A humorist no doubt. Finish your f*cking sentence!

There is nothing you say which isn't sick or funny. Same goes for the Lord from which all Joca or Humor stems seen and unseen acknowledged and unacknowledged. Crying isn't much different from laughing. A Palestinian half roasted body of a child flying from an explosion apparently has its charm but is an acquired taste.

Now to study these words I have mentioned.
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http://etymonline.com/index.php?allowed ... earch=Joke

 https://en.m.wikipedia.org/wiki/The_Fool_(Tarot_card)

https://en.m.wikipedia.org/wiki/Jest

 https://en.m.wikipedia.org/wiki/Trickster

 https://en.m.wikipedia.org/wiki/Humour
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https://en.m.wikipedia.org/wiki/Laughter

https://en.m.wikipedia.org/wiki/Muqatta%CA%BFat

http://www.ancient-hebrew.org/m/alphabe ... s_hey.html

​​​​​​ https://en.m.wikipedia.org/wiki/He_(letter)

http://www.walkingkabbalah.com/hebrew-a ... -meanings/

" Hei Meaning – 5th Letter of the Hebrew AlphabetHei represents divine revelation, the breath of the Creator (Psalm 33:6 – By the word of the LORD the heavens were made, and by the breath of his mouth all their host.) The world was created with the utterance of the Hei. It represents the gift of life and creates the verb of being (היה Haya – being). It is divinity, the spiritual life that comes about through the first four letters. It represents the life essence in all creation. It symbolizes the effortlessness of the world and is the symbol of divinity, gentility, and specificity. It contains within it the freedom of choice. Hei is one of the letters of the Holy Name, giving it a special significance within the Aleph-beith. "
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" The letter Ε(Epsilon), by Code, expresses the sense of Motion-Movement-Course-Expansion and it’s easy to comprehend it, if we consider that when we call somebody from afar, we use it, (Hey… you! Hey Alex…). So, when phonetically using Ε… and sometimes, along with a tense of our hands towards someone, shows the effort of our existence to expand and communicate with the person that is away."
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Honestly, sometimes I even forget this stuff is divine revelation or I think or assume I am just finding stuff and posting it or whatever or it just phases out assome project of mine somehow which I spent hours at and I get a frightening reminder that this whole thing was the theme I was supposed to write on absolutely and a specific message.

I went out to this crazy badly placed stack of books and I wanted one book that was under many but in the process of even considering it ended up pulling out some other called the Pan Opera Book. Opened it up randomly and it said something about how all the players seem to laugh with the orchestra and then opened another page and it said some famous quote or something The Vocation of Man is to Jest. Then I shut the book, and I thought oh I should find the page, then I opened the book and there was a bookmark receipt thing, then I didn't know where it was but it whispered in my head kind of that it, like always, will be easily found even though I don't know where at all it is, and It opened it and found that same laughter thing and then saw the other quote which was seperated by pages and placed the bookmark receipt thing there but was humorously filled with awe and dread as always by the frightening reminder that this stuff about jokes was today's mission.

https://en.m.wikipedia.org/wiki/Alastor ... f_Solitude

"
Alastor, or The Spirit of Solitude is a poem by Percy Bysshe Shelley, written from 10 September to 14 December in 1815 in Bishopsgate, near Windsor Great Park and first published in 1816. The poem was without a title when Shelley passed it along to his contemporary and friend Thomas Love Peacock. The poem is 720 lines long. It is considered to be one of the first of Shelley's major poems.

Peacock suggested the name Alastor, which comes from Roman mythology. Peacock has defined Alastor as "evil genius". The name does not refer to the hero or Poet of the poem, however, but instead to the spirit who divinely animates the Poet's imagination.

In Alastor the speaker ostensibly recounts the life of a Poet who zealously pursues the most obscure part of nature in search of "strange truths in undiscovered lands", journeying to the Caucasus Mountains ("the ethereal cliffs of Caucasus"), Persia, "Arabie", Cashmire, and "the wild Carmanian waste". The Poet rejects an "Arab maiden" in his search for an idealised embodiment of a woman. As the Poet wanders one night, he dreams of a "veiled maid". This veiled vision brings with her an intimation of the supernatural world that lies beyond nature. This dream vision serves as a mediator between the natural and supernatural domains by being both spirit and an element of human love. As the Poet attempts to unite with the spirit, night's blackness swallows the vision and severs his dreamy link to the supernatural.

Once touched by the maddening hand of the supernatural, the Poet restlessly searches for a reconciliation with his lost vision. Though his imagination craves a reunion with the infinite, it too is ultimately anchored to the perceptions of the natural world.

Ruminating on thoughts of death as the possible next step beyond dream to the supernatural world he tasted, the Poet notices a small boat ("little shallop") floating down a nearby river. Passively, he sits in the boat furiously being driven down the river by a smooth wave. Deeper and deeper into the very source of the natural world he rushes. Like the water's surface supports the boat, the supernatural world "cradles" the mutability both of nature and of man.

As his senses are literally dulled, his imagination helps him sense the spirit's supernatural presence. Instead of perceiving the vision through the senses, the Poet imaginatively observes her in the dying images of the passing objects of nature. The boat flows onward to an "immeasurable void" and the Poet finds himself ready to sink into the supernatural world and break through the threshold into death.

When the Poet reaches the "obscurest chasm," his last sight is of the moon. As that image fades from the Poet's mind, he has finally attained transcendence to the supernatural world. The journey to the very source of nature led, finally, to an immanence within nature's very structure and to a world free of decay and change.

The poem was attacked by contemporary critics for its "obscurity". In a review in The Monthly Review for April 1816, the critic wrote: "We must candidly own that these poems are beyond our comprehension; and we did not obtain a clue to their sublime obscurity, till an address to Mr. Wordsworth explained in what school the author had formed his taste." In the Eclectic Review for October 1816, Josiah Condor wrote:

We fear that not even this commentary [Shelley's Preface], will enable ordinary readers to decipher the import of the greater part of Mr. Shelley's allegory. All is wild and specious, intangible and incoherent as a dream. We should be utterly at a loss to convey any distinct idea of the plan or purpose of the poem.

In The British Critic for May 1816, the reviewer dismissed the work as "the madness of a poetic mind."

Mary Shelley, in her note on the work, wrote: "None of Shelley's poems is more characteristic than this." In the spring of 1815, Shelley had been erroneously diagnosed as suffering from consumption. Shelley suffered from spasms and there were abscesses in his lungs. He made a full recovery but the shock of imminent death is reflected in the work. Mary Shelley noted that the work "was the outpouring of his own emotions, embodied in the purest form he could conceive, painted in the ideal hues which his brilliant imagination inspired, and softened by the recent anticipation of death."

In his biography of John Keats, Sidney Colvin wrote on the influence of Alastor on Keats' Endymion: "It is certain that Keats read and was impressed by Alastor."

Alastor influenced the poetry of William Butler Yeats, whose own work The Wanderings of Oisin was influenced by the Shelley poem.
"

"
Another is Robert Southey, whom Shelley had much admired and whose Thalaba the Destroyer, a favourite poem of Shelley's, prefigures Alastor in imagery and quest-narrative. Shelley sent a copy of the book to Southey.

Similarities in imagery to Samuel Taylor Coleridge's Kubla Khan have been noted but Shelley is unlikely to have read that poem, still unpublished at the time of Alastor's composition. The similarities might be explained by those between Thalaba and Kubla Khan, each of which was partly composed while Southey and Coleridge were in close contact.
"

https://en.m.wikipedia.org/wiki/Thalaba_the_Destroyer

https://en.m.wikipedia.org/wiki/Kubla_Khan

https://rpo.library.utoronto.ca/content ... t-solitude

https://www.gutenberg.org/files/39804/39804-h/39804-h

https://www.poetryfoundation.org/poems/43991/kubla-khan

https://kublakhancompleted.in/

https://forgottenrealms.fandom.com/wiki/Far_Realm

"
The Far Realm was a plane of madness situated very far from the planes of the standard cosmology.[4] This maddening realm was feared for its power to twist unfortunate visitors into gruesome monsters, and it was from here that aberrations came.[5] According to Malyanna, a servant of the Abolethic Sovereignty, all cosmologies were threatened by the same Far Realm.[6]
"

https://forgottenrealms.fandom.com/wiki ... overeignty

"
The main goal of the Abolethic Sovereignty was to unlock the Far Manifold with the Key of Stars and open the gate to the Far Realm to unleash their masters onto the world.[2] They were also greatly interested in the Spellplague, and searched and studied active plaguelands across Faerûn.[3] They also wanted to control the power of the primordial Maegera the Inferno, and created the dreaded Symphony of Madness to that end. The aboleths kidnapped many living creatures for their ambitious experiments to improve the Symphony of Madness.[4]

Xxiphu was a mobile city, and that allowed the Abolethic Sovereignty to operate throughout all Faerûn.[3] However, they focused their efforts on the region of Sea of Fallen Stars near Akanûl,[5] and in the Underdark below Neverwinter.[3] They also held total control over the city of Olleth.[6]
"

https://forgottenrealms.fandom.com/wiki ... of_Madness

"
The Symphony was created by the Choir, a group of plaguechanged creatures that sang a telepathic tune that could be heard at any point between Neverwinter, Helm's Hold, and Gauntlgrym. The song was powered by the Spellplague energies the aboleths harnessed from the Cauldron of Blue Fire. Therefore, those creatures chosen to be part of the Choir were subjected to a series of increasingly traumatic tests to determine their aptitude to "sing" in the Choir, and eventually were warped by the Spellplague energies into something unrecognizable.[1]

The song of the Choir was, in essence, a beam of focused Spellplague energy that could twist stone or flesh depending on subtle variations in the Choir's harmony, warping reality in ways that made sense only to an aberrant mind. By using the Hex Locus, the Sovereignty could enhance the Symphony's range, to reach places far away from the normal range of the Symphony.[2]

Those who "heard" the Symphony would suffer horrible nightmares. The only way to avoid having nightmares within the Symphony's range was to sleep near a dreamthief doll. Excessive exposure to the Symphony could turn creatures into spellscarred or even into plaguechanged beings. If focused against a creature or group of creatures, the Symphony could corrupt and twist the mind of the targets, turning them into thralls of the Sovereignty, puppets whose only purpose was to serve their masters to the best of their abilities, or even turn the most unfortunate targets into foulspawn if the corruption went too far.[1]
"

https://forgottenrealms.fandom.com/wiki/Spellscar

Added in 14 hours 42 minutes 35 seconds:






Wtf, this unknown nobody is illustrating huge books with so many pages of full quality art regularly, this is totally insane, like they are on some kind of stimulant or something.



"Artyz" like "Artis".



The guy supposedly has such low self esteem and a low opinion of his art, so spends days filling books with stuff he supposedly doesn't like? Hahaha.

I'm the opposite, and have amounted to just as much without expending even a fraction of the energy they must have.

They said they listened to this a lot:





The word "Murder" gets associated with "Art" a lot, also in the recent Baldur's Gate 3 game's character Orin The Red.

"
@PricelessDamnationV2
1 year ago
If I had a nickel for every time Maggie Robertson voiced a character who said she'd cut someone to ribbons I'd have two nickels, which isn't a lot but it's weird that it happened twice.
"

https://en.wikipedia.org/wiki/Richard_Sharpe_Shaver

"
During 1943, Shaver wrote a letter to Amazing Stories magazine. He claimed to have discovered an ancient language he called "Mantong", a sort of Proto-Human language that was the source of all Earthly languages. In Mantong, each sound had a hidden meaning; by applying this formula to any word in any language, one could decode a secret meaning to any word, name or phrase. Editor Ray Palmer applied the Mantong formula to several words, and said he realized Shaver was on to something.

According to Palmer (in his autobiography The Secret World), Palmer wrote back to Shaver, asking how he had learned of Mantong. Shaver responded with an approximately 10,000-word document titled "A Warning to Future Man". Shaver claimed to have worked in a factory where, in 1932, odd things began to occur. As Bruce Lanier Wright notes, Shaver "began to notice that one of the welding guns on his job site, 'by some freak of its coil's field atunements', was allowing him to hear the thoughts of the men working around him. More frighteningly, he then received the telepathic record of a torture session conducted by malevolent entities in caverns deep within the earth." According to Michael Barkun, Shaver offered inconsistent accounts of how he first learned of the hidden cavern world, but that the assembly line story was the "most common version".[7]

Shaver wrote of extremely advanced prehistoric races who had built cavern cities inside the Earth before abandoning Earth for another planet due to damaging radiation from the Sun: an example of a cryptoterrestrial hypothesis. Those ancients also abandoned some of their own offspring here, a minority of whom remained noble and human "Teros", while most degenerated over time into a population of mentally impaired sadists known as "Deros"—short for "detrimental robots". Shaver's "robots" were not mechanical constructs, but were robot-like due to their savage behavior.

These Deros still lived in the cave cities, according to Shaver, kidnapping surface-dwelling people by the thousands for meat or torture. With the sophisticated "ray" machinery that the great ancient races had left behind, they spied on people and projected tormenting thoughts and voices into our minds (reminiscent of schizophrenia's "influencing machines" such as the air loom). Deros could be blamed for nearly all misfortunes, from minor "accidental" injuries or illnesses to airplane crashes and catastrophic natural disasters. Women especially were singled out for brutal treatment, including rape, and Mike Dash notes that "[s]ado-masochism was one of the prominent themes of Shaver's writings".[8] Though generally confined to their caves, Shaver claimed that the Deros sometimes traveled with spaceships or rockets, and had dealings with equally evil extraterrestrial beings. Shaver claimed to possess first-hand knowledge of the Deros and their caves, insisting he had been their prisoner for several years.

Palmer edited and rewrote the manuscript, increasing the total word count to a novella length of 31,000. Palmer insisted that he did not alter the main elements of Shaver's story, but that he only added an exciting plot so the story would not read "like a dull recitation".[7] Retitled "I Remember Lemuria!"; it was published in the March 1945 issue of Amazing.[9] The issue sold out, and generated quite a response: Between 1945 and 1949, many letters arrived attesting to the truth of Shaver's claims (tens of thousands of letters, according to Palmer). The correspondents claimed that they, too, had heard strange voices or encountered denizens of the Hollow Earth. One of the letters to Amazing Stories was from a woman who claimed to have gone into a deep subbasement of a Paris, France building via a secret elevator. After months of rape and other torture, the woman was freed by a benevolent Tero.[10] Another letter claiming involvement with Deros came from Fred Crisman, later to gain notoriety for his role in the Maury Island Incident and the John F. Kennedy assassination. "Shaver Mystery Club" societies were created in several cities. The controversy gained some notice in the mainstream press at the time, including a mention in a 1951 issue of Life magazine.

Palmer claimed that Amazing Stories magazine had a great increase of circulation because of the Shaver Mystery, and the magazine emphasized the Shaver Mystery for several years. Barkun notes that, by any measure, the Shaver Mystery was successful in increasing sales of Amazing Stories. There was disagreement as to the precise increase in circulation, but Barkun notes that reliable sources reflect an increase in monthly circulation from about 135,000 to 185,000.[7]

From 1945 to 1948, Barkun notes that about 75% of the issues of Amazing Stories featured Shaver Mystery content, sometimes to the near-exclusion of any other topic. Historian Mike Dash declares that "Shaver's tales were amongst the wildest ever spun, even in the pages of the pulp science fiction magazines of the period".[8] He also published in Other Worlds magazine; the first issue featured his story "The Fall of Lemuria".

Many science fiction fans felt compelled to condemn the Shaver Mystery as "the Shaver Hoax". These fans, already distressed by Palmer's shift away from the literary or hard science fiction of earlier years to often slapdash space operas, organized letter-writing campaigns to try to persuade the publishers of Amazing Stories to cease all Shaver Mystery articles. In fact, Palmer printed a number of critical or skeptical letters sent to Amazing Stories, and he and other contributors occasionally rebutted or replied to such letters in print. As Bruce Lanier Wright notes, "[t]he young Harlan Ellison, later a famously abrasive writer, allegedly badgered [Palmer] into admitting that the Shaver Mystery was a 'publicity grabber'; when the story came out, Palmer angrily responded that this was hardly the same thing as calling it a hoax".[11] Dash writes that the "critics of the 'Shaver Mystery' were quick to point out that its author was suffering from several of the classic symptoms of paranoid schizophrenia, and that many of the letters pouring into Amazing recounting personal experiences that backed up the author's stories patently came from the sorts of people who would otherwise spend their time claiming that they were being persecuted by invisible voices or their neighbor's dog".[8]

During 1948, Amazing Stories ceased all publication of Shaver's stories. Palmer would later claim the magazine was pressured by sinister outside forces to make the change; science fiction fans would credit their boycott and letter-writing campaigns for the change. The magazine's owners said later that the Shaver Mystery had simply run its course and sales were decreasing.

The Shaver Mystery Clubs had surprising longevity: Representatives of a club discussed the Shaver Mystery on John Nebel's popular radio show several times through the late 1950s. Nebel said he thought the discussion was entertaining, but in extant recordings he was also skeptical about the entire subject.

Even after the pulp magazines lost popularity, Palmer continued promoting the Shaver Mystery to a diminishing audience via the periodical The Hidden World. Lanier describes the magazine as "Shaver in the raw" with little of Palmer's editing. Shaver and his wife produced the Shaver Mystery Magazine irregularly for some years.
"

"
After his brother's death, Shaver was committed to the Ypsilanti State Hospital for mental health disorders by his wife, Sophie. He stayed at the hospital for nearly two years, with periodic visits home to Pennsylvania. During his hospitalization, Sophie was accidentally electrocuted by a space heater in her bathroom. Shaver signed custody of his daughter over to his parents. He was released from hospital, returned to his family's farm in Pennsylvania, and soon left to travel across the Northeastern United States and Canada. Shaver was arrested for stowing away on a merchant vessel in Newfoundland in December 1937, and in early 1938 he was deported from Canada and sent to Grafton State Hospital in Massachusetts. He was transferred to the Ionia State Hospital for the Criminally Insane in Michigan later that year, where he remained for five years. He began writing the year he was discharged, in 1943.[6]
"

https://forgottenrealms.fandom.com/wiki/Derro

https://5e.tools/bestiary/derro-mtf.html



https://forgottenrealms.fandom.com/wiki/Diirinka

https://blog.aulddragon.com/2020/03/dii ... -betrayer/

Maybe watch the films in case these are spoilers, the film is Don't Be Afraid Of The Dark:





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https://en.m.uesp.net/wiki/Lore:Falmer

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https://www.tumblr.com/askmiddlearth/49 ... and-slaves

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https://villains.fandom.com/wiki/Crawlers_(The_Descent)