https://en.wikipedia.org/wiki/The_Cay
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Taylor took only three weeks to write The Cay, having contemplated the story for over a decade after reading about an 11-year-old who was aboard the Dutch ship “Hato” when it was torpedoed in 1942, and who was last seen by other stranded survivors as he drifted away on a life raft.[1] The novel was published in 1969 and was dedicated to Martin Luther King Jr.
In the novel, the theme of racial prejudice is explored through the character of Grace, Phillip's mother. She expresses a longing for her home in Virginia and discomfort living in Curaçao due to her prejudices against the predominantly Black bay workers in the area.[3] Grace's discomfort and biases lead her to instruct her son, Phillip, and his friend Henrik to avoid the bay area,[4] a directive that Henrik finds puzzling and unusual.
As the story progresses, Phillip, influenced by his mother's attitudes, begins to adopt similar prejudices, initially directed towards Timothy, the elderly Black man with whom Phillip becomes stranded. However, Phillip's views begin to change as he spends more time with Timothy and recognizes their shared humanity. A pivotal moment occurs when Timothy reveals his origins from Charlotte Amalie on St. Thomas. Phillip, surprised, responds by noting that this makes Timothy an American, referencing the American purchase of the Virgin Islands from Denmark as a result of the Treaty of the Danish West Indies. Timothy's casual indifference[5] to this fact contrasts with Phillip's initial curiosity about Timothy's background, highlighting Phillip's growing awareness and questioning of his preconceived notions.
Phillip's transformation accelerates when he becomes blind and must rely on Timothy for survival. This dependency shifts the dynamic between them. Timothy's extensive knowledge of the Caribbean islands and survival skills, including building shelter, gathering food, and sourcing water, astonishes Phillip. Through Timothy's patient teaching, Phillip learns to be self-sufficient, fostering mutual respect and a deep bond between them. The culmination of this bond is evident in Phillip's profound grief at Timothy's death. After a hurricane devastates their shelter, Timothy succumbs to exposure, and Phillip, devastated, digs a grave for him and mourns deeply. This emotional response signifies the profound impact Timothy had on Phillip's life and perspective.[6]
Upon returning to Curaçao, Phillip spends significant time with the workers at St. Anna Bay, many of whom knew and remembered Timothy fondly. Phillip's interactions with these individuals further underscore his transformation. He no longer harbors the prejudices he once did and feels a deep connection to the community that Timothy was a part of. This evolution marks a complete departure from his earlier, biased views, demonstrating the powerful impact of his experiences on the cay and his relationship with Timothy.[7]
The Cay was both widely acclaimed and criticized for its impact on promoting racial harmony, and it received the Jane Addams Children's Book Award in 1970. In 1974, when NBC-TV adapted the story for a television drama, the Council on Interracial Books for Children held a press conference urging viewers to call their local stations if they felt the story contained an insidiously "racist" message.[8] During this conference, the current chair of the Addams Award Committee, who was not in that role when the award was given, stated that she believed it was a mistake to have named The Cay an award winner due to its perceived racist theme.[9] In response, the author, Theodore Taylor, who viewed the work as a subtle plea for better race relations and understanding,[10] returned the award "by choice, not in anger, but with troubling questions."[9][10] Taylor later reported that the award had been rescinded.[9][11] Although The Cay remains listed as an Addams Award winner, Taylor's claim of rescission is widely accepted and has become a part of the discussion surrounding the book, which is required reading in many schools in the United States and internationally.[11]
In 2020, the Burbank Unified School District banned the book from the curriculum on the back of complaints from four parents who allege the material in the book could lead to potential harm to the district's Black students.[12][13] The ban was opposed by organizations such as PEN America and the National Coalition Against Censorship on the basis that the book helped support discussions about contemporary racism.[14]
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https://en.wikipedia.org/wiki/Timothy_of_the_Cay
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This book was named "one of the greatest books for children" by Students Across America (SAA) in 2011. They said of it: "This novel is about the life of Timothy and Philip before their ordeal on the cay. In order to make sense of this story you must first read The Cay."
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https://indianajones.fandom.com/wiki/Bantam_Books
https://starwars.fandom.com/wiki/Bantam_Spectra
https://starwars.fandom.com/wiki/Heart_of_the_Jedi
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In 1991, Lucasfilm asked the publisher Spectra for a series of paperbacks that would take place immediately after the destruction of the second Death Star. As an author working for Spectra, Flint was commissioned to write the first book, which would be preceded by the comic book miniseries Exiles of the Force and followed by Legacy of Doom by Margaret Weis. Heart of the Jedi was to be published in 1993.[3]
According to Flint, he stopped writing his original novels while working on Heart of the Jedi. He sent his first draft to his Spectra editor by the end of 1992, along with subsequent revisions. However, his editor became unresponsive for several months, and Flint did not have direct communications with Lucasfilm. Eventually, Flint contacted an agent who, in turn, contacted Spectra. The agent told Flint that Spectra had determined Heart of the Jedi could not be published because it "no longer fit into the sequence for the new series." Flint's editor had allegedly promised another author of the group that her book would be placed in position one instead of his book. Consequently, Heart of the Jedi was never published. Flint was allowed to keep his ten thousand dollar advance and given the opportunity to write two Star Wars short stories, "Doctor Death: The Tale of Dr. Evazan and Ponda Baba" and "Old Friends: Ephant Mon's Tale." However, Flint said the events regarding the novel destroyed both his relationship with Spectra and his career as a writer.[3]
Bantam promotional brochures continued to list "Heart of the Jedi" as "coming in 1996..." to paperback, as late as 1995.[2]
Years later, Flint allowed the unpublished manuscript to be edited by author and editor Joe Bongiorno for his website, the Star Wars Expanded Universe Timeline. Bongiorno describes his revisions as matching the established continuity of the Expanded Universe however, he has admitted to making significant changes to the original manuscript without the oversight of Lucasfilm. The original manuscript submitted to Lucasfilm included the planet, Gathol but this was omitted by Bongiorno. In May 2015, an unofficial, and modified version of the manuscript was posted on Bongiorno's website as a "lostworlds" unpublished novel. The posting included Flint's account of the novel's development and cancellation. Bongiorno created a mockup cover from artwork by Paul Shipper.[3]
On March 4, 2021, the revised novel, under the fanon title Star Wars: The Heart of the Jedi was unofficially sold as a paperback via Amazon.com's self-publishing services, without the permission of Lucasfilm. The seller stated they were not making any profit and asked The Walt Disney Company not to sue them. Sometime in May 2021, the listing was removed from Amazon.[4] This edition was published under the imprint "Gallina Books" which also later appeared in an unauthorized release of Lightsider.[3]
On September 8, 2025, the novel was again published through Amazon.com's self-publishing services using the same name[5]. The seller, in similar fashion to the 2021 listing, stated "This printing is being sold ONLY for the COST of PRODUCTION, and not a cent more. Absolutely NO PROFIT is being made." Upon inspection, the book was discovered to have been published under the imprint "Wraith Flight Publishing" and had a notable difference in cover design and layout than that of previous editions[6]. As of November 25, 2025, the book is listed on Amazon as being out of print.
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https://starwars.fandom.com/wiki/Legacy_of_Doom
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Legacy of Doom was a proposed novel to be written by Margaret Weis. It was apparently supposed to be a sequel to Exiles of the Force and Heart of the Jedi. It was canceled in 1995 due to a difference of opinion.
In 2016, Joseph Bongiorno intended to publish Legacy of Doom on his website, the Star Wars Expanded Universe Timeline. He managed to contact Margaret Weis, who let him know what the fate of the story was, and how it ended up not getting published: "I no longer have the book. I saw no reason to keep it and it was on a computer that I have long since retired. My story is that I had only a limited window of time in which to write that book, as I had other book commitments at the time. I handed in the book, but the people at Lucasfilm kept changing their minds about what they wanted and having me do rewrite after rewrite. At last I told them time was up, this was getting too frustrating and I moved on."[1]
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https://www.starwarstimeline.net/
I believe in two Star Wars, maybe three.
I believe in the Original Trilogy, Part Of The Original Expanded Universe, and even more than the Expanded Universe my own Alternative Star Wars Inspired fabtasy and corrections or further worldbuilding where I think both the Prequels, Original Trilogy, and the Expanded Universe all go astray or miss the mark or could have been better or more sensible in my opinion. I may like a few things from the Clone Wars but it becomes much more abstract and piecemeal as to what I would cherrypick from there, if anything, and I don't even recognize it as the Clone Wars, since I had long inagined something else, and so did just about everyone before those films came out and disappointed many.
It is interesting to me since this is all about fiction, and the sense of thinking some fiction is more acceptable or at least likable than some which becomes so irritating that it helps to reject it and deny it, like "it isn't true, it didn't happen", like how hateful the latest film series was to me and some longtime fans, and I haven't seen the films of the name new sequel trilogy after The Force Awakens, and I feel almost compelled to deny it and reject it. Yet there are people who supposedly fight for the prequels and the sequels, and these various groups of media have been bery divisive for people, and to a lesser degree so have the Indiana Jones films and Expanded Lore, which basically seemed fine and acceptable to most anyone familiar with it until the fourth film, and then again various things seemed to creep in which seemed like the whole thing had to be denied as it was somehow seeming to taint and sully the enjoyment of the original films and expanded lore of the series. The Young Indiana Jones series seemed to be more easy to deny if necessary and less believable or enjoyable than the book adventures where Indiana Jones was an adult, plus people probably didn't like that he appeared yo have lost or damaged an eye at some point based on his appearance as an elderly person in the Young Indiana Jones series, as the narrator or host.
https://archive.org/details/396241694-k ... c/mode/1up
https://en.wikipedia.org/wiki/M%C3%A4nnerbund
https://disabilityaccesscollective.blog ... mythology/
https://thetroth.org/resource/disability-heathenry/
https://files.libcom.org/files/2024-07/ ... 20DARK.pdf
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M00n_Slippers
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1y ago
Sight is associated with knowledge and Sight without eyes is associated with supernatural knowledge. If you want to see the unseen, you need to see without Eyes, you need to see beyond the immediate and superficial. I am reminded of a quote from... something, I am not sure if it is a book, movie or mythology or what. But the speaker was telling a story of a man who had taken a blow or something to the head and "his eye turned inward into himself and he died of what he saw there."
With an empty eye socket, his deepest-self becomes visible. By giving up an eye, he gives up ego and self-delusion. It's not just about losing the vision of an eye, it's about sacrificing the comfort and value of one's illusions about themselves and other 'hard truths' that others choose not to see. Through this did Odin gain wisdom.
8
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